So the Anomaly universe is one in which ten reincarnations of the same planet exist. These planets are labeled Aarth through Jarth and are about 1000 years apart in age. These planets all experienced civilization on very similar timelines and are geographically identical.
Hence (in Earth terms):
Aarth ~ 6000 AD
Barth ~ 5000 AD
Carth ~ 4000 AD
Darth ~ 3000 AD
Earth ~ 2000 AD
Farth ~ 1000 AD
Garth ~ 0
Harth ~ 1000 BC
Iarth ~ 2000 BC
Jarth ~ 3000 BC
At the time that our story is taking place, planets Aarth though Carth are missing and presumed dead. Xionsyes Zelo, a multi quillionnaire living on Darth (he’s in sanitation) has employed a group of scientists to recreate a copy of Darth within a separate dimension. This dimension is called 4A.
So now our chart looks like this:
Darth ~ 3000 AD
4A ~ ??? AD
Earth ~ 2000 AD
Farth ~ 1000 AD
Garth ~ 0
Harth ~ 1000 BC
Iarth ~ 2000 BC
Jarth ~ 3000 BC
Most of the action takes place within the 4A dimension. It is populated with a mix of people from planets Barth though Jarth. As you can imagine, given the wide range of advancements on all the planets, this can be… confusing.
More on that later.
Okay, so protagonist Marie isn’t changing much from where she started. She’s still a bitchy, fashion magazine editing socialite who cares too much about her popularity and too little about anything else.
The book opens in one of those very fashionable night clubs where the bartender knows her name and where she thinks it’s okay to waltz in and lord over her domain. She rejects someone at the bar who she thinks is hitting on her, gets her drink, and disappears into the V.I.P. section with her two idiotic friends. The bartender and the rejected young man have a conversation about how big of a bitch she is. End scene.
Shortly thereafter, however, everything changes. She still has a conversation about how useless she is with her patronizing and unsympathetic father. She still has a fight with her secretary, Claire, whom she promptly fires.
Then shit gets real.
From this point forward, the rest of my manuscript for this book is out the window.
Marie gets into an elevator at work and is transported to another dimension. The rules or parameters or guidelines of this dimension are as follows:
-The 3A Dimension was created by a billionaire named Xionsyes Zelo. The purpose of 3A is to serve as a testing ground for a possible Utopia.
-Because of the way the 3A Dimension was created, time is very thin, and several different realities are overlapping on 3A at any given time. This means that it is possible to run into someone else’s timeline more than once. During her stay on 3A, Marie crosses her own timeline at least twice, and Dakota’s at least 4 three times.
-Marie learns that Earth is the 5th reiteration of the same planet. There are 10 in the series, in alphabetical order from Aarth to Jarth. Each successive reiteration is about 1000 years behind the previous. 3A is an exact dimensional replica of Carth, where Xionsyes is from.
-Aarth is missing. No one knows what happened to it.
-Claire, Marie’s former secretary, works for Xionsyes. The dimensional shift was meant for her.
That’s all I’m giving you for today. I know it’s new and shiny and different and very weird, but I’m excited about it.
Tata for meow.
I’ve had a manuscript related epiphany, internet, and if you’ve been following this blog even a little bit or know me in person, I think you will follow my train of thought at least somewhat.
So I’ve been working on this book for a very, very, VERY long time. The working title is called Alpha and the main character is called Marie and it’s a parody of those god-awful rich-teenagers-getting-whatever-they-want books like The Cliche and Gossip Girl that are inexplicably popular. I started it as as Ayn Rand fanatic when I was 18 and moody and nobody understood me, and quite frankly, it’s not very good, but for a number of reasons, I kept working on it unchanged from the original plot line.
The things I do like about the original idea, was the concept of an anti-hero who starts off as kind of a jerk and ends up as slightly less of a jerk. I like childish, self-centered, never-gets-the-point Marie. I like the snarky attitude.
However, this plot-line is dark, dramatic, and takes itself very seriously, and I realized the other day that I WOULD NOT READ THIS BOOK. If I picked this book off the shelf and read the description, I’d put it down, which is probably why writing it has been awful.
So I’m doing something drastic. I’m taking Marie out of her comfort zone and throwing her (quite literally) into another dimension in the updated version of Alpha, Anomaly.
That’s right. I’m turning my teen drama parody into a book about time and space travel. I am going straight up Doctor Who on this plot. I’m about to Vonnegut this up. Insert other dorky reference, yadda ya.
Tighten your trousers, internet. The new Anomaly details are coming at you next Monday.
A large handwritten sign caught her eye as she was walking to brunch with Alex and Kate at Cervantes. It said BOOKSALE – AS LOW AS A DOLLAR in painstakingly written black letters. The sign was hanging outside of a small shop she had never noticed before, wedged between two of her favorite clothing stores. That’s odd, she mused. I figured I would notice this before. In the window there was a display of classic love stories lovingly stacked in a tower, their covers old but still eye-catching. Marie looked inside. A few people were milling about, looking at covers and rustling through bins of books. She took a deep breath. She was feeling inexplicably nervous for some reason. To hide her nerves, she opened the door quickly and stepped inside, raking her hair back with one hand and tilting down her sunglasses with the other.
The bell on the door chimed noisily, but no one even looked up or glanced her way. Marie suddenly felt stupid. Of course none of these nerds would know her and expect a showy entrance. She stepped inside lamely, feeling anticlimactic, and looked around.
The shop was bigger than it looked from the outside and extended farther back then she thought it would. It smelled like old paper, an oddly familiar scent. She suddenly recalled the library where she used to spend hours as a kid and smiled fondly. At the front by her feet were bins full of books that seemed like the source of the musty smell, with a sign that said 1 DOLLAR in the same bold print as the sign outside hovering above the bins. Marie crouched down in front of them, her feet in her three-inch heels protesting, and grabbed the book off the top. Pride and Prejudice, by Jane Austen, in paperback. The cover had been ripped off and taped back on badly. She fingered the creases in the tape with one hand. Wasn’t this a movie with Colin Firth in it? She hadn’t realized they had written a book about it. She put in on the floor next to her. She was a big Colin Firth fan.
Twenty minutes later, Marie stood stiffly, wincing and kicking her feet, but triumphant. Her legs were sore and asleep, but she had five books bundled in her arms – Pride and Prejudice, Life of Pi, by Yann Martel, My Life in France, by Julia Childs, a prettily bound hardcover of the Ramayana, and Shakespeare’s A Midsummer Night’s Dream. She was proud of herself. Marie hadn’t read any of the back covers, but the assortment would look good on her coffee table.
She looked around for the cashier and was surprised to find the store was deserted, save herself and an older looking man reading quietly behind the cash register in the back. Walking up to him, Marie was overly aware of how every click of her heels on the floor disrupted the silence of the store.
The man at the cash register looked up as she approached and smiled, leathery skin crinkling along long worn laugh lines.
“Hello,” he said, still smiling. “I see you found what you were looking for. You were digging in those bins for quite a long time.”
She put her books on the desk and dug in her purse for her wallet. Finding it, she took out a twenty and dropped it unceremoniously on top of the pile but stopped as a cover caught her eye.
On the wall behind the cash, on a ledge built into the wall, there was a set up of old children’s books. Side by side sat The Neverending Story and The Phantom Tollbooth. She stared for a second and stopped him as he was about to hand her change back.
“Wait,” Marie said slowly. “I’ll take The Neverending Story as well.”
The cashier pulled it down from the shelf and put it in a bag with the other books, then put the money back in the register and handed her change and the bag of books. She took them without thanks and walked hurriedly to the exit, pulling her cell phone from her purse as she did so. The old man watched her go curiously, then shook his head and reopened his book.
Marie hurried through the double doors and nearly walked straight into Dakota, who quickly grabbed her shoulders to prevent a straight-on collision. They stared at each other briefly in surprise before Dakota broke into a wide smile.
“Couldn’t get enough of me?” he asked jokingly. “I’ve never had a stalker, but it’s pretty flattering of you.”
Marie was thrown off guard, and blinked.
“No, this is my office building,” she explained, jerking her thumb back towards the Everline skyscraper. He looked up at it instinctively, following her motion.
“And of course I’d be stalking you, who else would I stalk?” she added coyly, a beat too late.
He shot her a sideways glance.
“Out for lunch?” he asked innocently.
“Care to join me?” he added.
“That was the plan,” she shot back. He chuckled and started walking again, Marie tagging along.
“Where do you work?” she asked, to fill the silence.
“You know the old library down on King Street?” he asked. Marie didn’t, but nodded anyway. “I work the special editions section, you know, all the really old or rare stuff. Cataloguing mostly, but some research stuff. It’s pretty fun.”
“So what are you doing in this part of town? King Street’s nowhere close to here.”
“I started a small publishing company a little while ago, and the office is just down the street from you.”
“That’s ambitious of you.”
“I suppose. I just wish I had more publicity. Business is slow.”
He stopped in front out of a small restaurant with Vera Jon’s painted above the door in a pink that stood out from the garrish green door frame.
“How’s this?” he asked, looking down at her for a reaction.
“Here?” she blurted out incredulously.
She shrugged, swallowing the words Because no one else will be in here and smiling.
Dakota led her into the small restaurant, which had a bunch of small wooden tables packed between it’s crumbly brick walls. The chairs and tableware were mismatched and brightly colored, and several surrealist charcoal drawings hung on the otherwise unadorned brick walls. It had the air of a coffee shop, complete with several college students poring over piles of books and a shy couple out on their first or second date.
The perky hostess, who wore a brightly colored scarf wrapped around her hair and had different colored fingernails, led them to a back table between a student reading Shakespeare and a group of middle aged women clearly on lunch break. She handed them each an organic looking menu with Vera Jon written brazenly across the front, told them her name was Shay, and left them to her own devices.
They flicked open the menus and read in silence for a while. The restaurant was advertised as a ‘Sand – Which’ shop, and the menu featured 3 or 4 pages of creative options. All could be eaten on gluten-free bread or as a wrap, and all could be halved and eaten with either a soup or a salad. The most expensive was 16 dollars and had lamb, avocado, basil, balsamic vinegar, walnuts, and pear slices between its two slices of challah.
“Ham and turkey on multigrain with cranberries, sliced apples, mayo, and cheddar cheese,” Dakota mused.
“Bacon and marmalade on pumpernickel?”
“Grilled cheese on country white with pesto, pine nuts, sundried tomatos, bacon, and garlic paste.”
“That sounds simultaneously terrible and amazing,” she said, looking at Dakota over the top of her menu.
“Most of these sound simultaneously terrible and amazing,” he replied. Marie nodded.
“But in a good way.”
“In a good way.”
Back from Boston. Too tired to explain this random scene.
Claire slammed her fist on the desk. Marie flinched, surprised.
“The people in this office aren’t intimidated by you!” Claire screamed at her, bracing her hands on the desk and leaning forward, “They think you’re a laughingstock! Honestly, can you get over yourself for a minute? You waltz in here like you’re the Queen of England and throw orders around that half the time don’t make any sense – half the time you’re late or hung-over or god knows what – you haven’t been here for a week – everyone knows you got this job because your father gave it to you, which is a shame because, god, M, you could be good at this!”
Claire paused, breathing heavily. Marie hadn’t moved a centimeter since she started.
“Listen, some of the things you come up with on a whim are brilliant,” Claire continued, softening somewhat. “If you tried, if you applied yourself to this job, you could excel at it, really. Why don’t you have any ambition?”
Claire stopped, apparently waiting for an answer. Marie shifted and looked up.
“You ugly, pathetic bitch! How dare you question my right to be here?” Marie screamed, standing up. “Get the hell out!”
Claire whirled on her heel and stomped to the door, yanking it open and pausing. She turned her head back to Marie.
“No one gives a shit that you’re pretty and popular. One of these days, you’re going to have to face the music, and what will you do then?”
She walked out, slamming the door behind her. Through the clear glass Marie watched her grab her purse from her desk, storm towards the elevators, and slam the button with one hand. As Claire disappeared behind the closing elevators, Marie felt the attention in the office turn towards her. She heard a low murmur of voices and grins concealed hastily behind hands, eyes reluctant to meet hers, but wanting to see her reaction.
Marie swiveled in her chair to face the giant picture window with its idyllic view. In a movie, she thought dryly, this is where the clouds would roll in so it could start raining to symbolize my internal turmoil. Unsurprisingly, it’s a beautiful day. She watched the sunlight glitter on the water until her urge to smash something had largely faded.
I’m turning twenty-five in three days, Marie mused. I’m still single. Most guys would sell their souls to sleep with me. I’m still attractive. I’m getting older. I’m still extremely popular. I have a high-paying job. My dad got it for me. My employees think I’m an idiot. Am I an idiot? Claire thinks I’m an alcoholic. I’m definitely not an alcoholic. Oh God, am I an alcoholic?
Marie rubbed her eyes hard with her fists, then looked down at the bruises on her wrist.
“I’m definitely an idiot,” she moaned quietly to herself.
This is a brief encounter between Marie and her dad (possibly the first). Her dad owns the fashion company she works for.
“Marie, your father called,” Claire assaulted her as she stepped over the threshold into her office. Typical Claire. Never even gives her time to take her coat off before starting into some new crisis.
“Of course he did,” Marie sighed, “What does he want this time?”
“A word with you as soon as possible. He’s in his office from noon to two today.”
Marie nodded and turned on her heel to leave. As an after-thought, she stripped off her jacket and threw it behind her as she left, trusting Claire to pick it up for her.
Her father’s office was a floor up from hers and directly overhead. She could sometimes hear him pacing back and forth on the phone with someone, circling his desk and walking from the window back to the door. It was a familiar habit. Marie used to watch him do the same thing at home when she was young, treading a path in the carpet around the dinner table in a perfect rectangle.
Their office floor plans were exactly the same, but unlike Marie’s pristine, militantly organized space, William Everard’s office was an explosion of papers, charts, and photographs. Where Marie had a single calendar hanging on her wall, her father had a huge bulletin board full of mockups, sticky notes, drawings, and samples. A rack of clothing was standing in the corner hung with pieces from the fall collection. Stacks of magazines, books and file folders burst from overloaded racks shoved against any unused wall space.
Marie ignored the empty chair and stood in front of the desk when she came in. Her father was, as usual, on the phone, pacing a circle around his desk. He didn’t notice her presence until he came around to the front and saw that she was in his way. William Everard nodded to her, turned around, and walked in the opposite direction, knocking a stack of envelopes off of his chair and sitting down.
Marie stared out the window at the lake while her father finished his conversation and idly mused on what a difference of one floor could make to the view. From her office, she could see masses of people; from his, she could look down from above and distinguish the smaller groups within the whole.
Everard finished his phone call and put the phone down on a binder full of model contracts.
“You wanted me?” Marie asked, before he could start.
“I wanted to see if you were in the office,” Everard replied.
“You called me up here just to see if I was in the office.”
“You haven’t been for the past two days.”
“I’ve been busy.”
“Maybe,” Marie said defensively. She shifted her weight to the opposite foot.
“Maybe,” her father repeated. “You’ve blown off two full days in the office doing work ‘maybe’.”
“I don’t see how it’s any of your business,” Marie shot back.
“It’s my business, because it’s my company,” Everard said, his voice a low monotone.
Marie didn’t reply. She was far past the age where her dad was able to cow her just by dropping an octave.
“Look,” Everard continued, “I don’t know what’s going on with you, but in the past four months, you’ve been MIA for 10 days. I’ve had to cover your ass more than once now. This isn’t some minimum wage job where you can skip around and come in hung over.”
“I don’t come in hung over,” Marie objected.
“No, because when you’re hung over, you don’t come in at all,” her father shoot back.
“I don’t need to listen to this,” she replied, making a move for the door.
“Marie, for God’s sake, stop being so stubborn,” Everard continued. “If you weren’t my daughter I would have let you go by now. If you don’t start doing your job, I’m going to have to. That’s the final line. You’re 24. Act like it.”
Marie paused with her hand on the door.
“You’re 51,” she shot back. “Date someone your own age.”
She slammed the door.
Mr. Everard closed his eyes for a brief moment, then stood and resumed his walk around the desk.